Italian born, Matteo Lucchetti is a curator, art historian, and writer. His main curatorial interests are focused on artistic practices that redefine the role of art and the artist in society. His recent curatorial projects include First Person Plural: Empathy, Intimacy,
Irony, and Anger,BAK, Utrecht, 2018; Marinella Senatore: Piazza Universale. Social Stages, Queens Museum, New York, 2017; De Rerum Rurale, 16th Rome Quadriennale, Rome, 2016; Don’t Embarrass the Bureau, Lunds Konsthall, Lund, 2014; Enacting Populism in its Mediæscape, Kadist Art Foundation, Paris, 2012; and Practicing Memory, Fondazione Pistoletto, Biella, 2010. In the projects he curated, Lucchetti has worked with artists such as Lawrence Abu Hamdan, Rossella Biscotti, Nástio Mosquito, Marinella Senatore, Jonas Staal, SUPERFLEX, Stefanos Tsivopoulos, Pilvi Takala, and Stephen Willats, among others. Since 2010, Lucchetti co-directs, with Judith Wielander, the Visible project, a research endeavor and the first European biennial award devoted to socially engaged artistic practices in a global context, initiated and supported by Pistoletto Foundation, Biella and Fondazione Zegna, Trivero. He served as Curator of Exhibitions and Public Programs at BAK, basis voor actuele kunst, Utrecht in 2017–2018.
Lucchetti has worked as a curator in residence at Para Site, Hong Kong; Kadist Art Foundation, Paris; and AIR, Antwerp. During his residency at BAK in 2010, Lucchetti worked in the frame of the Former West project to develop curatorial and discursive possibilities for the new online platform of the research—the digital archive. He has organized and taken part in several seminars, talks, and debates at various institutions, such as the Centre d’Art Contemporain, Geneva; Steirischer Herbst, Graz; and the Centre for Historical Reenactments, Johannesburg. He lectured as a guest professor at HISK, Gent; Piet Zwart Institute, Rotterdam; Sint Lucas Antwerpen, Antwerp; and Accademia di Belle Arti di Brera, Milan, and contributed to magazines such as Mousse Magazine, Manifesta Journal, and Art Agenda.
Judith Wielander is an independent curator based in Brussels. Her main curatorial research is focusing on the intersection of Art and Social Engagement. She has been curator of Cittadellarte – Fondazione Pistoletto from 2002 to 2010. Among numerous exhibition projects she initiated and developed in 2010 with Wael Shawky the film trilogy Cabaret Crusades producing the first film The Horror Show File. She has been a member of the artistic direction of the Turin Biennial Big Social Game 2002, curator of Evento II - Urban Art Biennial of Bordeaux 2011, cocurator of the Belgian Pavilion at the 14th International Architecture Exhibition at La Biennale di Venezia 2014 and curator of Le Jardin Essential - Parckdesign 2016.
Since 2010, Judith Wielander has co-curated with Matteo Lucchetti the Visible project.
To get in touch with the visible project please write to [email protected]