‘I characterise my research very broadly as social art history, which reflects an interest in approaching 'art history from below'. I also have a broader interest in Asian modernities as a discursive method and in the broader field of art historiography. Principally, questions about spatial-visual subjectivities and social formations, in relation to art and cultural history, animate the kind of research I do. I also have a strong interest in examining art or cultural phenomenon through understanding them as intersections of history, memory and mythology. I work primarily as an art historian, teaching at the University of Malaya, while also devoting my time to Malaysia Design Archive, an education platform and online repository on 20th-century visual culture'