An inquiry into the Keywords Laboratory through the lens of Social Botany – Land and Turf.

A conversation on Social Botany - Land and Turf

Xu Tan and Xiaoyu Weng

How history feels like it is at your fingertips.

A curatorial statement on Ruangrupa

Zoe Butt

Getting our Hands Dirty.

A conversation on Sakiya – Art/Science/Agriculture

Nida Sinnokrot and Nat Muller

Escuela Móvil de Saberes y Práctica Social.

A conversation on the Traveling School of Shared Knowledge and Social Practice

Michèle Faguet and Helena Producciones

The Museo Travesti del Perú and the Histories We Deserve 

Miguel Lopez and Giuseppe Campuzano

A Short Story About Math Press

Heman Chong and Kenny Leck

Organizing New Forms of Collectivity.

A conversation on School of Engaged Art

Chto Delat and Martina Angelotti

On Otobong Nkanga’s Carved to Flow 

A text on the 2019 Visible Award shortlisted project

Helon Habila

Dream Teaming: Richard Bell’s Embassy

A text on Embassy, 2019 Visible Award shortlisted project

Rachel O’Reilly 

#OnPedagogy. New school models implemented by artists.

Alessandra Saviotti

The Art Piece

A text on Dar Yusuf Nasri Jacir for Art and Research, 2019 Award shortlisted project

Colum McCann

Giving Indigenous Media-makers a Voice.

A curatorial statement on IsumaTV

Candice Hopkins

Tequiografías: Reimaginating Interculturality

A text on Tequiografías, 2019 Visible Award shortlisted project

Néstor García Canclini

Free for all. Art as a service to others 

Temporary Services

Twenty-One Permits For a Space of Freedom.

A conversation on The Festival de Performance

Helena Producciones, Judith Wielander and Matteo Lucchetti

Nablus, Palestine. Getting there is not obvious.

A curatorial statement on Bait al Karama

Gabi Scardi

Inhabitants in focus, mobilization in art and media.

A conversation on Inhabitants

Pedro Neves Marques, Mariana Silva and Margarida Mendes

Between popular mass culture, historical legacy and futuristic utopias.

A curatorial statement on The Propeller Group

Zoe Butt

On April 22-2017, a White Cube has been repatriated on the site of Unilever’s first ever plantation of the D.R. Congo.

A conversation on art, power, and CATPC

Renzo Martens, Nicolas Jolly and Suhail Malik

Climavore: On Tidal Zones

A text on Climavore: On Tidal Zones, 2019 Visible Award shortlisted project

Anna Tsing 

On Blank Noise

A text on Blank Noise, 2019 Visible Award shortlisted project

Priya Ramani

Indigenous, Not Homogenous

An Interview with Elizabeth A. Povinelli

Matteo Lucchetti and Judith Wielander

Visible

when art leaves its own field and becomes visible as part of something else

Angelika Burtscher and Judith Wielander

What is a space but politics?

A curatorial statement on Readingroom

Simon Soon

Rice is more than just a staple food

a conversation on Hunger Inc.

Tang Fu Kuen and Elia Nurvista

A Thousand Miles Begins with a Single Step: Luke Ching and the Alternative Labour Movement

A text on Undercover Worker, 2019 Visible Award shortlisted project

Michelle Wong 

On Killing in Umm al-Hiran

A text on Killing in Umm al-Hiran, 2019 Visible Award shortlisted project

Adam Greenfield

CareForce: Creating a Future with Care Workers as Protagonists

A text on Care Force, 2019 Visible Award shortlisted project

Ai-jen Poo

Art As a place 

Raqs Media Collective

Revolution and the Colombian Middle Classes

A Troubled Love Story

Antonio Ungar

Anti-Racist Resistance and Political Existence in Denmark: Trampoline House and CAMP

A text on Trampoline House, 2019 Visible Award shortlisted project

Julia Suárez-Krabbe

Karrabing is not a clan, not a language group, not a nation. It is an aspiration.

A conversation on the Karrabing Film Collective, recipient of the 2015 Visible Award

Elizabeth Povinelli and Martina Angelotti

Aquí vive gente

a conversation on La Brigada Puerta de Tierra

Jesús Bubu Negrón, Luis Agosto-Leduc and Julia Morandeira Arrizabalaga