Skip to content

Main Navigation

visibleproject
  • Fellowships
  • Stories
  • Streaming
  • Projects
  • Library
  • Parliaments
  • Who&What
    • What
    • Contributors
    • Yesterday-Today
    • Team and Steering Committee
    • Institutional network
    • About Visible
  • searchDiscover All

Global aCtIVISm: Art and Conflict in the 21st Century

Annotated by LU Pei-Yi
Year

2015

Publisher

The MIT Press

Author

Peter Weibel

Topics
Social Justice
Related

Publisher website
Center for Art and Media Karlsruhe

Annotation

This publication was produced in conjunction with the Global aCtIVISm exhibition at the ZKM that took place from December 2013 to March 2014. The title Global aCtIVISm takes the capitalised letters to form the Latin word civis to emphasise the power of citizens. Both the exhibition and the accompanying publication documented politically inspired art — global art practices that draw attention to grievances and demand the transformation of existing conditions through serial actions, demonstrations and performances across a diverse range of public spaces. The publication is divided into five main themes: Activism and the Citizen, Public and Private Sphere, How to Do Activism, Tactical, Social and Global Media and ‘Artivism’ – Art and Activism.

LU Pei-Yi

...we are now seeing a new kind of social action emerging, a 'performative democracy' centered around the global citizen. The global citizen recognizes the existential threats to, and interests of, all of humanity that are not contained by national borders. This new type of citizen addresses both local problems as well as global ones. Global activism is then constituted on the basis of a 'global citizenship'...
Related

Publisher website
Center for Art and Media Karlsruhe

Related Contents

chevron_left chevron_right
Conflictual Aesthetics: Artistic Activism and the Public Sphere
Oliver Marchart, a non-academic academic, employs political theory as opposed to art theory to read contemporary art, public art and the public sphere. Using accessible language, he traces the relations between art and activism, the political and the conflictual, and introduces the notions of ‘biennales of resistance’, ‘counter-hegemonic curator’ and ‘pre-enactment’. The latter is an inspiring inversion of ‘re-enactment’. His favourite example of such a rehearsal of the political is an action by Public Movement, which created a temporary public sphere in 2011 in Tel Aviv by dancing and obstructing the circulation of traffic, ahead of Occupy Movement.
Discover more
Talking to Action: Art, Pedagogy and Activism in the Americas
Talking to Action accompanied the eponymous exhibition curated by Kelley and Zamora in the context of the Pacific Standard Time: Los Angeles / Latin America project in 2017. It collects critical essays and documentation of socially engaged practices and collaborative community-based art practices developed across the Americas. The editors highlighted practices not included in the traditional gallery and museum narratives, which were often creating interdisciplinary dialogues, working in public space and creating intersections of art, activism, grassroots organizations and social science. 
Discover more
A Third University Is Possible
A Third University is Possible offers a refreshing theoretical framework and interpretation of the issues of university education, decolonisation and activism. The writer, la paperson (K. Wayne Yang), proposes that a university ‘is an assemblage of machines and not a monolithic institution’ that has colonial history and purposes, yet it can also be subverted to produce decolonising subjects. Taking inspiration from Third Cinema and Black filmmaking assemblages, worlding theory and Deleuzian posthumanism, the book explores decolonial ‘possibilities’ in various indigenous and black schools and colleges in the US, Kenya and India and presents the seminal idea of ‘scyborg’ which is a ‘decolonising agent of technological subversion’ operating within the Third University itself in order to break down the ideological machine. 
Discover more
Decolonizing Nature: Contemporary Art and the Politics of Ecology
Art historian T. J. Demos repurposes recent art history by interweaving the chronicles of socially engaged artistic practices with environmental activism and political ecology. Departing from the well-known pioneering names such as the Harrisons and Bonnie Sherk, the author describes the entanglement of art and ecology through the perspectives of indigenous communities, denouncing the very Western gaze that informed the UN’s understanding of ecology, one that rarely acknowledges ‘post-colonial concerns and the inequality between so-called post-industrial nations and those in the Global South’. The book unfolds around the urgencies that global warming is causing and offers an incredible array of examples of artists who engage in long-term projects, such as Amy Balkin, Superflex and Pedro Reyes. Many of the featured projects are also part of the Visible network, like the projects by Maria Thereza Alves and Mabe Bethônico. 
Discover more
Social Works: Performing Art, Supporting Publics
sing examples of performance, visual art, activism and public art – from Ukeles, through Rimini Protokoll, to Paul Chan’s staging of plays in New Orleans after hurricane Katrina – Social Works deals with social art practices relating to welfare, urban planning and globalisation, as well as their relation to class, gender, race and labour. 
Discover more
Anti-Racist Resistance and Political Existence in Denmark: Trampoline House and CAMP
Trampoline House is a community house guided by communitarian principles and participatory practices, providing a space for learning, exchange, organization, struggle and (legal, psychological, social, educational) assistance to its users. The house was founded in 2010 as a result of the common work among asylum seekers, refugees, artists, scholars and journalists in their efforts to break the social segregationist tendencies dominating the Danish asylum system.
Discover more
Forensic Architecture: Killing in Umm Al-hiran
The Killing in Umm Al Hiran is dated to 2017, yet it’s legal development as a case is still ongoing. In the area of the Negev, the demolitions are constant. There are 35 villages like Umm Al Hiran inhabited by more than 100,000 Palestinian-Bedouin citizens who are under a similar threat. There is an acute urgency to mobilize this case to get a moratorium on the destruction of Bedouin communities along the threshold of the desert.
Discover more
We are unable to show you a video, here.
Details
© Visible 2025. All images © of their respective owners.
  • Fellowships
  • Stories
  • Streaming
  • Projects
  • Library
  • Parliaments
  • Who&What
  • Discover All
  • Instagram
  • Facebook
  • Newsletter
© Visible 2025. All images © of their respective owners.
cached
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.OkPrivacy policy