Skip to content

Main Navigation

visibleproject
  • Fellowships
  • Stories
  • Streaming
  • Projects
  • Library
  • Parliaments
  • Who&What
    • What
    • Contributors
    • Yesterday-Today
    • Team and Steering Committee
    • Institutional network
    • About Visible
  • searchDiscover All

On Decoloniality: Concepts, Analytics, Praxis

Annotated by Beatrice Galluzzo
Year

2018

Publisher

Duke University Press

Author

Walter Mignolo
Catherine Walsh

Topics
Indigenous Rights Social Justice
Related

Interview with Walter Mignolo in E-International Relations
Article "Coloniality of power and de-colonial thinking" by W. Mignolo
Decolonial Thought, by Alana Lentin

Annotation

During the endless days of the Italian lockdown, while I was working on my PhD proposal on post-genocide Rwandan art practices, I came across Walter Mignolo and his colleagues and their decolonial theories. I remember reading On Decoloniality in a few days, then I started to be curious about many other writings available online. A couple of months later, I was admitted as one of the participants in the Decolonial Summer School 2020 held by Mignolo and other decolonial thinkers on behalf of the University College Roosevelt in collaboration with the Van Abbemuseum Eindhoven (if it had not been for the pandemic – which forced us to meet online – we would have spent two weeks at the museum). Here you have an extract from what I wrote: ‘The second thing I learnt is that I am a white Western person, living in a (white) Western country. Until quite recently, I did not know the fundamental importance of collocating myself within the world. But now that I do, as a white Western person I believe that the issue is not about being part of the ‘whiteness’ but about being unaware of it, which means to be blind’. I consider this book to be a real milestone for the urgency of breaking free from the Eurocentric standard filling our lives.

Beatrice Galluzzo

For the decolonial thought, Modernity is an essentially or exclusively European phenomenon. In these lectures, I will argue that modernity is, in fact, a European phenomenon but one constituted in a dialectical relation with a non-European alterity that is its ultimate content. Modernity appears when Europe affirms itself as the 'center' of a World History that it inaugurates; the 'periphery' that surrounds this center is consequently part of its self-definition.
Related

Interview with Walter Mignolo in E-International Relations
Article "Coloniality of power and de-colonial thinking" by W. Mignolo
Decolonial Thought, by Alana Lentin

Related Contents

chevron_left chevron_right
Collectively Annotated Bibliography
The Visible project (Cittadellarte – Fondazione Pistoletto/Fondazione Zegna) was commissioned by the Public Art Agency Sweden to conduct research on the relationship between theory and socially engaged artistic practices, and Collectively Annotated Bibliography: On Artistic Practices in the Expanded Field of Public Art is the result of such research. Compiled and edited by Judith Wielander
Discover more
Unfixed: Photography and the Decolonial Imagination in West Africa
Each chapter puts photographs from west African archives and collections associated with the independence generation into dialogue with stories shared, and knowledge produced, in interviews I did with west African photographers, their descendants, and other collectors and keepers of photographs in order to illustrate the multitude of ways that urban west Africans were using expanded access to the medium in this moment. I argue and try to show that photographers, their subjects, and their publics used photography to express new experiences, to reshape public and political discourse, and to facilitate new conversations, relays, and exchanges—with people living right next door to them and all over the world—both on the eve of independence and in the post- independence years.
Discover more
Une écologie décoloniale: Penser l’écologie depuis le monde caribéen
While not explicitly addressing the role of the arts within public space, Ferdinand’s book is formative for a number of reasons. Among them, firstly, there is an emphasis throughout on the role of the imagination (see also Azoulay and Bajorek), and of the cultural currency and material effects of certain hegemonic imaginaries. Secondly, much can be gleaned here that is useful in the context of current curatorial interest in practices (aesthetic, literary and scientific) that tackle relations between colonialism and ecology, and that engage in ‘more-than-human’ forms of representation, sociality and worldmaking (see Garcia-Anton; Sonjasdotter; Sakiya) — practices of what Ferdinand names ‘composing with plurality’ that recognise links between the exploitation of colonised and enslaved peoples as well as the earth, spaces of writing and narrating based on collective experience into which multiple forms of life are invited. 
Discover more
Marronage Journal
The journal Marronage was launched on the occasion of the 2017 centennial of the sale of the former Danish West Indies and is dedicated to exposing the erasure of colonialism in the Nordic historical narrative. With contributions from anti-colonial artists, international decolonial feminist scholars, poets, movements and activists, the three (soon to be four) Marronage
Discover more
Trampoline House
Trampoline House is a radically caring ethical, artistic and political project. It is a brave step to come out of the white cube and into life, making refugee populations visible, holding governments accountable and reshaping reality through affect and implication. It is is both an urgently needed support structure and a model for societal transformation, not only in Denmark, but in the whole of Europe.
Discover more
Ente di Decolonizzazione
Ente di Decolonizzazione Borgo Rizza is a project by the DAAR collective (Sandi Hilal and Alessandro Petti) which appropriates, by desecrating them, the architectures of the Ente di Colonizzazione del Latifondo Siciliano: a series of villages built by the fascist regime in 1940 to colonize the countryside considered backward and non-productive and to impress an urban vision very similar to that which was being built in the same years in the colonies in Libya and in the cities of East Africa occupied and colonized by the Italians. Through the Decolonial Assemblies, a direct dialogue is initiated with groups, individuals and associations that critically address the colonial past.
Discover more
We are unable to show you a video, here.
Details
© Visible 2025. All images © of their respective owners.
  • Fellowships
  • Stories
  • Streaming
  • Projects
  • Library
  • Parliaments
  • Who&What
  • Discover All
  • Instagram
  • Facebook
  • Newsletter
© Visible 2025. All images © of their respective owners.
cached
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.OkPrivacy policy