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Permanent Temporariness

Annotated by Matteo Lucchetti
Year

2018

Publisher

Art and Theory Publishing

Author

Sandi Hilal
Alessandro Petti

Topics
Pedagogy & Education Social Justice
Related

artandtheory.org

Annotation

Through the use of a glossary, the Italian-Palestinian collective looks back on almost twenty years of artistic practice aimed at decolonising the gaze through which we look at the world. Fourteen concepts, including hospitality, participation, profanation, heritage and decolonisation itself, go under scrutiny through texts penned by the artists as well as Charles Esche, Okwui Enwezor and Eyal Weizman, while revealing themselves as be stepping stones in the evolution of their work.

Matteo Lucchetti

The right of return is thus the quintessential aspect of decolonization. The right of return is the right to the urban, to a condition of heterogeneity and multiplicity that may already distinguish the sites of origin. The right of return is the right to mobility, to move freely across the region and to live in more than one space at once.
Related

artandtheory.org

Related Contents

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Al-Madhafah (The Living Room)
Located between the domestic and the public, Al-Madhafah, is in Arabic, the living room dedicated to hospitality. It has the potential to subvert the role of guest and host and give a different socio-political meaning to the act of hospitality. It activates the right of temporary people to be a host and not to behave
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Sandi Hilal
Sandi Hilal's statement on the expanded field of public art, and her relationship with the book "On Decoloniality: Concepts, Analytics, Praxis" by Walter Mignolo and Catherine Walsh, part of our research project "Collectively Annotated Bibliography". This research, commissioned by Public Art Agency Sweden, puts together a corpus of about 150 printed materials, composed of publications focusing on artistic practices in the expanded field of art with a public purpose, from a decolonial perspective that takes into account the bias, privileges and power positions of those who wrote the dominant perspectives on art history so far.
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Ente di Decolonizzazione
Ente di Decolonizzazione Borgo Rizza is a project by the DAAR collective (Sandi Hilal and Alessandro Petti) which appropriates, by desecrating them, the architectures of the Ente di Colonizzazione del Latifondo Siciliano: a series of villages built by the fascist regime in 1940 to colonize the countryside considered backward and non-productive and to impress an urban vision very similar to that which was being built in the same years in the colonies in Libya and in the cities of East Africa occupied and colonized by the Italians. Through the Decolonial Assemblies, a direct dialogue is initiated with groups, individuals and associations that critically address the colonial past.
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The Living Room
Al-Madhafah (The Living Room) is a project by Palestinian artist, architect and researcher Sandi Hilal dedicated to the sociopolitical meaning of hospitality. Building on her long experience working in Palestinian refugee camps, and with Syrian refugees in Sweden, Hilal advocates for the right of displaced people to be a host and not to behave as eternal guests.
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On Decoloniality: Concepts, Analytics, Praxis
For the decolonial thought, Modernity is an essentially or exclusively European phenomenon. In these lectures, I will argue that modernity is, in fact, a European phenomenon but one constituted in a dialectical relation with a non-European alterity that is its ultimate content. Modernity appears when Europe affirms itself as the 'center' of a World History that it inaugurates; the 'periphery' that surrounds this center is consequently part of its self-definition.
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Elizabeth Povinelli
Elizabeth Povinelli's statement on the expanded field of public art, and her relationship with the book "A Billion Black Anthropocenes or None" by Kathryn Yusoff, part of our research project "Collectively Annotated Bibliography". This research, commissioned by Public Art Agency Sweden, puts together a corpus of about 150 printed materials, composed of publications focusing on artistic practices in the expanded field of art with a public purpose, from a decolonial perspective that takes into account the bias, privileges and power positions of those who wrote the dominant perspectives on art history so far.
Discover more
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