Caecilia Tripp

Beyond geographical borders and with a critical eye, Caecilia Tripp’s participatory art practice engages with civil disobedience and transnational post-colonialism at the crossroads of globalisation, shining a light on the invention of new languages, identities, sounds and social imagination as a transgressive ‘Act of Making History’ (Edouard Glissant, Making History, film in co-direction with Karen McKinnon). She was part of Spring in Gwangju curated by Claire Tancons for the 7th Gwangju Biennale. ‘A poetics of relation.’