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CareForce

Marisa Morán Jahn

About the project

Period

ongoing since 2011

Location

Various cities in the USA

External links

Project website
Artist website

Proposed by

Alessandra Saviotti

Topics

Gender & Queer Based Violence Policies of Care Social Design Social Justice

Know more

In 2010, after New York passed America’s first laws providing basic rights for domestic workers, an advocacy group approached Studio REV- to help inform the state’s 200,000 nannies, housekeepers, and caregivers. We produced a humorous audionovela app which reached up to 1200 users in the first month, was named by CNN named as “one of 5 apps to change the world”, and received awards at Obama’s White House.

As domestic workers in other states started organizing, we created the NannyVan, a bright orange mobile studio with pop-out craft and media carts. Traveling with my baby, our friend Anjum, and women from the 20,000-strong National Domestic Workers Alliance, we set up in parks, playgrounds, markets, transit stops, etc, sharing stories to create paper toolkits, an album of worker-sung dance jams, 4 know-your-rights dances, and more.

When the NannyVan died, we continued onwards in a new mobile studio, a superhero-themed 1967 station wagon (the CareForce One). We chronicled one journey in a funny and personal film for PBS Digital/ITVS called CareForce One Travelogues that explores how care intersects with immigration, slavery, and race.

This nomination to the Visible Award dignifies the 5 million domestic workers struggling to feed their families and 20 million families staggering under the cost of care.

Since 2011 we’ve traveled 18,000+ miles, reached 22,000 individuals, and millions more through the media. We feel success when we hear things like, “I’ve been a nanny for 15 years and never thought of myself as a domestic worker entitled to basic rights — until I came across your artwork.”

About the artist

Marisa Morán Jahn, also known as Marisa Jahn is an American multimedia artist, writer, and educator based in New York City. She is a co-founder and president of Studio REV-, a nonprofit arts organization that creates public art and creative media to impact the lives of low-wage workers, immigrants, youth, and women.

Contents

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Audionovela session with members of Pilipino Worker Center, Los Angeles, 2013
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Collaborators from Brazilian Worker Center, Boston, 2017
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CareForce One on the steps of the Los Angeles City Hall with members of Pilipino Worker Center, Instituto de Educación Popular de Sur de California (IDEPSCA), and Coalition for Humane Immigrant RIghts of Los Angeles (CHRLA), 2017
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Carehaus poster designed by Marisa Morán Jahn 2021
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Carehaus, 2022. Design by architect Rafi Segal with collaborating artist Marisa Morán Jahn
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Silkscreen print by Marisa Morán Jahn, 2016
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Silkscreen print by Marisa Morán Jahn, 2016
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Silkscreen print by Marisa Morán Jahn, 2016
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Video statement for the 2019 Visible Temporary Parliament at Paris City Hall
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Half documentary, half dance video, "CareForce Disco" raises questions about the rights and needs of immigrant women, the role of socially-engaged artists, and the role of art to foster social change
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Read the text that Visible commissioned to Ai-jen Poo, Executive Director of the National Domestic Workers Alliance
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Pia Sri Chakraverti – Würthwien's advocate speach during the 2019 Visible Award at Paris City Hall

Related Contents

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Marisa Morán Jahn’s Care Force
With a team led by women of color, many of whom are first or second generation immigrants, CareForce recognizes that care work doesn’t only affect the United States. Funds sent by care workers to their families in other countries are part of an international economy, and many migrant care workers are vulnerable to predatory labor practices and domestic trafficking.
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CareForce: Creating a Future with Care Workers as Protagonists
Through storytelling and art, CareForce reveals the many forces that shape our experiences with care in America. Together, we’re creating platforms for connection and community out of an experience that is still isolating for everyone involved. Whether you’re a care worker, a family caregiver or someone in need of support, caregiving is still largely seen as an individual and personal responsibility that we must navigate on our own, in isolation. In truth, it is an urgent and universal social need that requires a collective solution.
Discover more
CareForce
Since 2011, we’ve travelled 18,000+ miles, and reached 22,000 individuals, and millions more through the media. We feel successful when we hear things like, “I’ve been a nanny for 15 years and never thought of myself as a domestic worker entitled to basic rights — until I came across your artwork.”
Discover more
Sing for Her
Migrant workers are a global phenomenon. In Hong Kong alone, there are more than 100,000 women from Southeast Asia employed as domestic helpers. They remain voiceless and invisible. Sing for Her aims to create public installations where the public can learn songs from migrant worker communities by interacting with karaoke sculptures. It emphasizes learning, equality
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W.A.G.E. Certification
W.A.G.E.’s central focus is the administration of a certification programme for non-profit arts organisations. Initiated and operated by W.A.G.E., Certification publicly recognises those non-profits demonstrating a history of, and commitment to, voluntarily paying artist fees—it is also the first of its kind in the U.S. that establishes a sector-wide minimum standard for compensation, as well
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A Thousand Miles Begins with a Single Step: Luke Ching and the Alternative Labour Movement
To address inequality and lead to action for change, workers have to know how to speak out for themselves. In traditional labour movements, workers use labour unrest; strikes and other forms of labour action are well developed in labour relations. In Hong Kong’s case, grassroots workers are in a vulnerable position. The precarious nature of contract-based jobs prevents them from taking collective action to protect themselves.
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