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Common Space: The City As Commons

Annotated by Pelin Tan
Year

2016

Publisher

Zed Books

Author

Stavros Stavrides

Topics
Gentrification and Urban Matters Social Justice
Related

Publisher website

Annotation

The notion of the commons/commoning has become very vital point of discussion in activism, social sciences and socially engaged art practices. As socially engaged art practices in urban spaces might be useful in contributing to commoning practices and debating commons in collective spaces, many methodologies arise from art. Therefore, this book is useful to read with regard to the art practice of commons. My long-time colleague Stavros argues that commoning practices are relational and open-ended; and negotiation is a vital part. Furthermore, as he follows his experiences of commoning practices in the urban struggle of Greece and in Latin America, he contributes to the debate by bringing concrete cases to the fore and writing through his experienced practice of commoning.

Pelin Tan

Collective memory can become an important target as well as a means of commoning. The most obvious aspect of this relation is the power that collective memory has to give form and content to events in the past which the members of a community recognize as their common past.
Related

Publisher website

Related Contents

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Re-enchanting the World: Feminism and the Politics of the Commons
In Re-Enchanting the World: Feminism and the Politics of the Commons, Federici discusses the practice and concept of commons within diverse geographical contexts such as Africa and Latin America in order to highlight women’s movements. It brings to the fore the effort of women’s solidarity movements from various cases that debate and struggle for the commons. The book also includes discussions on reproductive work, affective labour and the transformation of everyday life that influences the way of commoning and understanding the term commons better. This book is a collection of cases of feminist struggles and other essays in which Federici discusses feminist approaches and their contribution to the commons. The book may greatly contribute to the debate and practice of socially engaged art practices that are operating in female spaces. PT
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Made in Commons
Made in Commons (MIC) is a long-term project started in 2013. Conceptually, the starting point of this project is the imagination of commons as an autonomous way of regulating shared resources, in the form of natural resources or knowledge production. As the project progressed, within the open platform mode—which involves sharing practices and collaboration—commons becomes
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Prison Anxieties
Prison Anxieties is an ongoing research project which began in 2011 as I was thinking through the question of how colonial histories participate in nationalism and capitalism. I had done two installation projects in Jamestown (Accra, Ghana) and then decided to extend its scope aesthetically and geographically by merging site-specific installations [artistic] with exhibition strategies
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Road for the Future
Road For The Future was a year-long collaborative project on a decommissioned rural railway, proposed as a cycle trailway by Sustrans, in West Dorset. Architects, artists, educators and ecologists were involved to create live art and events exploring issues around sustainable transport, food and commons. My work is process based and dialogic, I employ narrative
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Sakiya – Art / Science / Agriculture
In search of an antidote to the neoliberal, alienating consumerist culture sweeping Palestine’s cities and the increasing number of disenfranchised youth in our refugee camps and rural areas, Nida Sinnokrot, along with architect Sahar Qawasmi, established Sakiya – Art/Science/Agriculture, a nomadic international, interdisciplinary residency programme with a mandate to bridge fading local traditions of self-sufficiency
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Indigenous, Not Homogenous
The form in which nation-states show their commitment to this common plight is the international treaty. We-the-People of this nation-state agrees to commit ourselves to doing such-and-such to achieve a common future built out of our differentiated pasts and present. I think it is right here that the concept of obligation might disrupt this contractual imaginary and the specific ideology of common and different that underlies it.
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