Skip to content

Main Navigation

visibleproject
  • Fellowships
  • Stories
  • Streaming
  • Projects
  • Library
  • Parliaments
  • Who&What
    • What
    • Contributors
    • Yesterday-Today
    • Team and Steering Committee
    • Institutional network
    • About Visible
  • searchDiscover All

Coolie Woman: The Odyssey of Indenture

Annotated by Meenakshi Thirukode
Year

2013

Publisher

University of Chicago Press

Author

Gaiutra Bahadur

Topics
Gender & Queer Based Violence Indigenous Rights Social Justice
Related

Publisher website
Video of the author talking about the book

Annotation

Coolie Woman is a personal journey for Gaiutra Bahadur, and an important one if we are to discuss histories of slavery and indentured labour. The book is the author’s quest to find out details of her great-grandmother’s story – a woman who was sent to work on the plantations in Africa, when slavery was abolished. The book is about the stories that come from what is recorded but also what’s missing.

Meenakshi Thirukode

It is hard, in these glimpses, to escape the angle of sexual exploitation by figures of all ranks and races. In these archives of misconduct, the women appear resisting advances. Or, giving in to them. Or - in the eyes of many shipofficials - courting them. But the records also provide other views of the women: on the deathbeds, giving birth, losing children, going mad, being driven to suicide, engaged in infanticide, rejecting or being rejected by shipboard husbands, demanding that husbands prove themselves, stowing away, crying, cursing, possibly in love and clearly in anguish. Admittedly, the reports present psyches aboard ship at their most awry, since they typically only mentioned a migrant when something had gone wrong.
Related

Publisher website
Video of the author talking about the book

Related Contents

chevron_left chevron_right
Against the Grain: A Deep History of the Earliest States
James C. Scott, one of the most important scholars of anarchism and agrarian societies, examines urban spaces, economies and the founding of states through the means of production and dissemination of non-human elements such as crops. It is important to understand the production of spaces not only through the existence of societies or agricultural communities but also through agricultural production or means that influence slavery, exchange and other forms of organisation of urbanism. Scott gives a detailed analysis of Ancient Mesopotamian cities, which is very inspiring and helpful in understanding the role of grain in ancient global urbanism as well as the destruction of cities. The book provides historical facts on colonialism and slavery through the dissemination and means of production of grain that may provide a good source of information for artists who are working with grain and within the practice of farming both in urban and rural spaces. PT
Discover more
Museum of Nonhumanity
Museum of Nonhumanity is a site-specific, touring museum that presents the history of the distinction between humans and non-humans, and the way that this culturally constructed boundary is used to oppress humans and other beings. Throughout history, declaring a group to be nonhuman or subhuman has been a tool for justifying slavery, oppression, and genocide.
Discover more
Seeds of Change
Seeds of Change, an ongoing investigation of ballast flora, was initiated in 1999. Ballast was any economical and heavy material used to stabilize merchant sailing vessels and dumped along with accidental seeds upon arrival at the port for more freight to be carried on. I trace these unnoticed seeds that have arrived in European ports
Discover more
Slave Rebellion Reenactment
On November 8-9, 2019, hundreds of re-enactors retraced the path of the largest rebellion of enslaved people in United States history, embodying a story of resistance, freedom and revolutionary action. Slave Rebellion Reenactment is a community-engaged artist performance and film production that reimagined the German Coast Uprising of 1811, which took place in the river
Discover more
AWA : la revue de la femme noire
Digitized in 2018 by IFAN, the Fundamental Institute of Black Africa – Cheikh Anto Diop, AWA : la revue de la femme noire was an independent magazine produced in Dakar, Senegal, between 1964 and 1973 by a network of African women. Unique in its kind, AWA was the showcase for an emerging wave of thought and reflections produced mainly by African women in the wake of the African independences. With political essays, poems and topics related to fashion and well-being, the magazine, far from making any claims, offered to bear witness to an era when women could tell their stories and formulate their visions of the world. Its digitisation provides us with the opportunity to go back to a time far from our own but with many resonances to today, both in the relevance of the intellectual proposal and in the similarities with the subjects covered. 
Discover more
Re-enchanting the World: Feminism and the Politics of the Commons
In Re-Enchanting the World: Feminism and the Politics of the Commons, Federici discusses the practice and concept of commons within diverse geographical contexts such as Africa and Latin America in order to highlight women’s movements. It brings to the fore the effort of women’s solidarity movements from various cases that debate and struggle for the commons. The book also includes discussions on reproductive work, affective labour and the transformation of everyday life that influences the way of commoning and understanding the term commons better. This book is a collection of cases of feminist struggles and other essays in which Federici discusses feminist approaches and their contribution to the commons. The book may greatly contribute to the debate and practice of socially engaged art practices that are operating in female spaces. PT
Discover more
On Otobong Nkanga’s Carved to Flow 
When we ask: how do raw materials travel, it is a natural jump from there to: what is travel? What does it mean to travel? Why do some people travel first class while others die trying to cross the Mediterranean in flimsy boats? 
Discover more
We are unable to show you a video, here.
Details
© Visible 2025. All images © of their respective owners.
  • Fellowships
  • Stories
  • Streaming
  • Projects
  • Library
  • Parliaments
  • Who&What
  • Discover All
  • Instagram
  • Facebook
  • Newsletter
© Visible 2025. All images © of their respective owners.
cached
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.OkPrivacy policy