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Forensis: The Architecture of Public Truth

Annotated by Julia Morandeira Arrizabalaga
Year

2014

Publisher

SternbergPress & Forensic Architecture

Author

Forensic Architecture

Topics
Climate Crisis Pedagogy & Education Social Design Social Justice
Related

Publisher website
Forensic Architecture website

Annotation

Sitting on a highly productive and critical juncture between expanded architecture, visual arts and social justice activism, Forensic Architecture has redefined the practice of interdisciplinary research and its agency like few others before it. This volume excavates the origins of the term forensis (Latin for ‘pertaining to the forum’ and the root of the term forensics) through different case studies and texts which investigate the violation of human rights, political struggles or environmental violence in different geographies. The result is a novel and complex articulation of the notion of public truth as a ‘common project under continuous construction’, and the consolidation of a new lexicon that re-imagines the meaning of evidence, ruins, remote sensing or jurisdiction.

Julia Morandeira Arrizabalaga

Material forms can thus only reflect history in fragments and ruins, and suggest uncertain , discontinuous, and lacunar interpretations. But although we can never know the past as a conclusive, transparent fact mechanically etched into materiality, we should avoid the temptation of an anti-universalist perspective which regards truth simply as inherently relative, contingent, multiple, or nonexistent, and instead view truth as a common project under continuous construction.
Related

Publisher website
Forensic Architecture website

Related Contents

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Forensic Architecture: Design as Investigation
At a time of geopolitical tensions, institutionalized violence, and digital surveillance, in what ways can contemporary design support cases involving human rights violations?
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Forensic Architecture: Killing in Umm Al-hiran
The Killing in Umm Al Hiran is dated to 2017, yet it’s legal development as a case is still ongoing. In the area of the Negev, the demolitions are constant. There are 35 villages like Umm Al Hiran inhabited by more than 100,000 Palestinian-Bedouin citizens who are under a similar threat. There is an acute urgency to mobilize this case to get a moratorium on the destruction of Bedouin communities along the threshold of the desert.
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Killing in Umm al-Hiran
Before dawn on 18 Jan 2017, police raided the Bedouin village of Umm al-Hiran. Two people were killed: a villager, Yakub Musa Abu al-Qi’an, and policeman Erez Levi. Officials described the incident as a terror attack, and suggested that al-Qi’an had links to the terror group ISIS. But residents and activists told a different story:
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Forensic Oceanography
Forensic Oceanography (FO) is a project that critically investigates the militarised border regime in the Mediterranean Sea, analyzing the spatial and aesthetic conditions that have caused over 16,500 registered deaths at the maritime borders of Europe over the last 20 years. Together with a wide network of NGOs, scientists, journalists, and activist groups, FO has
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Secession-Europa
SECESSION was a project designed to re-shape and re-think the European space on the basis of translation, migration, and hybridization. The project was conceived as a collective fiction work, written and performed by writers, scholars, and artists. The texts produced, as well as the artwork, were contributions to the SECESSION. They were conceived as the
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Killing in Umm al-Hiran
Forensic Architecture has worked from the day of the incident to pursue transparency and justice with and on behalf of those residents, and the family of al-Qi’an. Since then we have reproduced and revisited that investigation multiple times, exposing glaring inconsistencies in the account of al-Qi’an’s death presented by leading Israeli figures, including Prime Minister Netanyahu.
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ResidualSpace/Artik Mekan
ResidualSpace – Artik Mekan has been initiated by Artikisler Collective. The project is a continuous visual research from the previous years about the residual spaces that we defined; spaces of “garbage, ruins, waste” as the outcome of migration, identity, urbanization, history, and labor in the cities Ankara and Istanbul. In ResidualSpace, we are following the
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